Oil and sugar [ Texto impreso] : contemporary art and Islamic culture / Glenn D. Lowry.
Material type: TextSeries: Eva Holtby lecture on contemporary culture ; no. 3Publication details: Toronto : Royal Ontario Museum, 2009.Description: 66 p : il. (algunos col.) ; 19 cmISBN:- 9780888544698
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 6260 .L69 2009 (Browse shelf(Opens below)) | Available | 1201064 |
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N 620 .M9 S83 1998 The Power of display [ : a history of exhibition installations at the Museum of Modern Art / | N 620 .P75 M66 2019 MoMA PS1 [ : a history / | N 620 .S63 G83 2009 The Guggenheim [ : Frank Lloyd Wright and the making of the modern museum. | N 6260 .L69 2009 Oil and sugar [ : contemporary art and Islamic culture / | N 6447 .E94 v.1 Salon to biennial [ : exhibitions that made art history. Volume I, 1863-1959 / | N 6447 .E94 v.2 Biennials and beyond [ : exhibitions that made art history. Volume II, 1962-2002 / | N 6447 .F565 2008 A fine regard [ essays in honor of Kirk Varnedoe / |
""Oil and Sugar: Contemporary Art and Islamic Culture", the title of this talk, is taken in part from a recent work by Kader Attia, a thirty-eight-year-old French artist of Algerian descent. The conjunction of oil and sugar -unlikely, even incongruous, materials- in the work of an artist born in one country but whose roots lie in a different one, and whose past and present are intertwined with colonial and post-colonial histories, seems to me a perfect metaphor for any discussion of contemporary art and Islamic culture. This subject has preoccupied my thinking for the last decade, if not more, and brings together two of my principal concerns: an abiding interest in the long and rich traditions of Islamic art, and a deep commitment to contemporary art and artists." (p. 5)