Heralds de l’hivern / Miguel A. García, Àlex Reviriego

Contributor(s):

Material type: Music

MusicPublisher number: HC 05 | Hera Corp.Publisher: [Barcelona] : Hera Corp., [2024]Description: 1 casete : digital, estéreo ; 10 x 7 cm + 1 dibujo en papel vegetal ; 18 x 13 cmContent type:

música interpretada

Media type:

audio

Carrier type:

audiocasete

Genre/Form:

Production credits:

Masterización: Juan Carlos Blancas. Diseño: Tània Gumbau

Cast: Miguel A. García (electrónica, mezcladores) ; Àlex Reviriego (electrónica en feedback, sintetizador)Bibliography: Incluye un dibujo en blanco y negro en papel vegetalSummary: «This is a sad record. Of a cold and clean sadness. Sounds of the past heralding an unmitigated disaster. When I started to work on it by myself I was trying to avoid the somehow melancholic and postromantic tone of my recent releases and develop a more impersonal and empty language. More ancient. I always thought of feedback as one of the definitive instruments, absolutely perfect in its clarity and simplicity. Like the harp, the clarinet or the feminine voice, I could listen for hours to a few no-input mixer tones and never get bored. Far from an issue, the lack of the human gestural component enhances the icy and imperturbable character of its electrical nature.» (Àlex Reviriego en bandcamp)

Holdings
Cover image	Item type	Current library	Collection	Call number	Status	Date due	Barcode
	Grabaciones sonoras	Biblioteca FJM Sala Nuevas músicas	Grabaciones de música	7.4 HER 2024 (Browse shelf(Opens below))	Available		1280396

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Previous	7.7 RAV 2020 Saturn darrere nostre: el glaç, el got, el buit, l'acte verge /	7.3 REG 2017 Blues for western civilization : (for audience and tape) /	7.8 ANX 2023 ANX N PVC : Broken music a Catalunya	7.4 HER 2024 Heralds de l’hivern /	7.3 POS 2024 Postcards /	7.2 PHI 2024 Redox /	7.2 PET 2021 Cop i pet	Next

«This is a sad record. Of a cold and clean sadness. Sounds of the past heralding an unmitigated disaster. When I started to work on it by myself I was trying to avoid the somehow melancholic and postromantic tone of my recent releases and develop a more impersonal and empty language. More ancient. I always thought of feedback as one of the definitive instruments, absolutely perfect in its clarity and simplicity. Like the harp, the clarinet or the feminine voice, I could listen for hours to a few no-input mixer tones and never get bored. Far from an issue, the lack of the human gestural component enhances the icy and imperturbable character of its electrical nature.» (Àlex Reviriego en bandcamp)

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