Studie II : elektronische Musik, 1954, Werk Nr. 3/II / Karlheinz Stockhausen

By:

Stockhausen, Karlheinz, 1928-2007 [compositor]

Material type: Score

Música notada

Media type:

sin mediación

Carrier type:

volumen

Uniform titles:

Studien, electrónica n.º 2

Genre/Form:

Language Note: En alemán e inglésBibliography: Incluye una introducción con tablas, un sonograma y descripción de la obra, en alemán e inglésSummary: "STUDY II is the first score of Electronic Music to be published. It gives the studio technician all the data necessary for a realization, and can be used by musicians and music lovers as a study score, especially in combination with the music. The first realization was made in 1954 at the Studio for Electronic Music of the West German Radio, Cologne. Adequate methods of notation were developed for this new type of composition, and the following explanation are the result of the working method chosen for this composition."

Holdings
Cover image	Item type	Current library	Collection	Call number	Status	Date due	Barcode
	Partituras	Biblioteca FJM Depósito	Partituras	M-898-C (Browse shelf(Opens below))	Available		1279189

Browsing Biblioteca FJM shelves, Shelving location: Depósito, Collection: Partituras Close shelf browser (Hides shelf browser)

Previous			No cover image available	No cover image available	No cover image available	No cover image available	No cover image available	Next
Previous	M-12392-B Sinfonía en tres tiempos (1925) : transcripción para dos pianos /	M-12393-B Tres canciones galaico-portuguesas para coro /	M-1005-F El anillo de hierro : Preludi del tercer acte /	M-898-C Studie II : elektronische Musik, 1954, Werk Nr. 3/II /	M-12395-B Cancións galegas do Festival de Pontevedra : Volume 1 /	M-12396-B Veintitrés : op. 23 : El vivir de un latido /	B-10150-B Adagio - Rondo [ : Violoncel /	Next

"STUDY II is the first score of Electronic Music to be published. It gives the studio technician all the data necessary for a realization, and can be used by musicians and music lovers as a study score, especially in combination with the music. The first realization was made in 1954 at the Studio for Electronic Music of the West German Radio, Cologne. Adequate methods of notation were developed for this new type of composition, and the following explanation are the result of the working method chosen for this composition."

Click on an image to view it in the image viewer