BIBLIOTECA
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Soundtrack from first violin film / Bruce Nauman

By: Material type: MusicMusicPublisher number: 005 | BlumePublisher: [Milan] : Blume, 2017Description: 1 disco sonoro : 33 1/3 rpm ; 30 cmContent type:
  • música interpretada
Media type:
  • audio
Carrier type:
  • disco sonoro
Subject(s): Genre/Form:
Contents:
Cara A: 1. Soundtrack from first violin film. Playing all four strings on the violin ; 2. Violin problem two. Playing two notes very close together -- Cara B: Rhythmic stamping ; Four rhythms in preparation fro video tape problems
Production credits:
  • Mastering: Giuseppe Ielasi
Date/Time and Place of an Event: Grabaciones realizadas en 1969Bibliography: Incluye un texto de Bradford Bailey en inglésSummary: "When speaking of most artists, critical value is generally gauged by evaluating contributions to existing fields. Bruce Nauman is different. His influence is singular. The change his ideas provoked, unequaled. Since the mid 1960's, he has laid the groundwork -in thought, context, practice, and materiality, for nearly every artist that has followed in his wake. He is the towering pillar of conceptual thinking. Even those who do not directly draw on the ground he gained, must contended with a world in his image." (cubierta)
Holdings
Cover image Item type Current library Collection Call number Status Date due Barcode
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Grabaciones sonoras Biblioteca FJM Sala Nuevas músicas Grabaciones de música 7.9 NAU 2017 (Browse shelf(Opens below)) Available 1279044

Cara A: 1. Soundtrack from first violin film. Playing all four strings on the violin ; 2. Violin problem two. Playing two notes very close together -- Cara B: Rhythmic stamping ; Four rhythms in preparation fro video tape problems

"When speaking of most artists, critical value is generally gauged by evaluating contributions to existing fields. Bruce Nauman is different. His influence is singular. The change his ideas provoked, unequaled. Since the mid 1960's, he has laid the groundwork -in thought, context, practice, and materiality, for nearly every artist that has followed in his wake. He is the towering pillar of conceptual thinking. Even those who do not directly draw on the ground he gained, must contended with a world in his image." (cubierta)

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