BIBLIOTECA
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The Belvedere : 300 years a venue for art / editors: Stella Rollig and Christian Huemer ; with contributions from: Johanna Aufreiter [et al.]

By: Contributor(s): Material type: TextTextPublisher: Vienna : Berlin ; Boston : Belvedere ; Walter de Gruyter GmbH, 2023Copyright date: ©2023Description: 398 páginas: ilustraciones, fotografías y gráficos en blanco y negro y color; 27 cmContent type:
  • texto
  • imagen fija
Media type:
  • sin mediación
Carrier type:
  • volumen
ISBN:
  • 9783111186511
  • 3111186512
Subject(s): Genre/Form: LOC classification:
  • N 1708 .R65 2023
Contents:
Intro -- Contents -- Foreword -- Introduction -- Chapter I Prince Eugene of Savoy as an Impresario of Art 1697-1736 -- Images and Quotes -- 1 The Belvedere : Construction and Interiors -- 2 The Set of Engravings -- 3 The Marble Gallery Sculptures -- Patronage and Collecting in the Habsburg Empire c. 1700 -- 4 The Winter Palace -- Prestige and Passion : Prince Eugene of Savoy's Picture Collection at His Garden Palace -- Collect, Collate, Catalogue : Prince Eugene of Savoy and the Beauty of Classification -- 5 The Theresianum Library Cabinets from Prince Eugene's Winter Palace.
Chapter II The Imperial Collections in the Belvedere 1776-1891 -- Images and Quotes -- 6 The Ambras Collection -- 7 The First Restoration Studio -- The Emergence of the Art Museum in the Eighteenth Century -- The Museumification of the Imperial Picture Gallery -- Opening and Public Access in the Upper Belvedere around 1800 -- 8 The Exchange of Pictures between Florence and Vienna -- New Concepts for the Display of Painting Schools in the Early Nineteenth Century -- 9 Napoleonic Looting and Evacuation of Artworks -- The "Modern School" of the Imperial Picture Gallery.
10 The Picture Gallery and the Academy of Fine Arts -- Chapter III From the Modern Gallery to the Austrian Gallery 1903-1938 -- Images and Quotes -- 11 A Kiss for the Modern Gallery -- Museums of Modern Art in the Late Habsburg Empire -- 12 The Imperial-Royal Traveling Museum -- A Palace as "Refuge" for Modernism -- 13 Hans Tietze's Museum Reform -- Art for All ? The Austrian State Gallery between Art Appreciation and Education -- 14 From the Austrian State Gallery Society to the Friends of Austrian Museums in Vienna, 1911/12-1938 -- The Foundation of the Baroque Museum in the Lower Belvedere.
15. The Ephesos Museum Visits the Lower Belvedere -- Origins of the Museum of Medieval Art -- Chapter IV The Museum during the Nazi Period 1938-1945 -- 16 "Degenerate Art" -- Images and Quotes -- 17 The Reich Chamber of Fine Arts, Vienna Office -- 18 Deaccession -- The Complicity of Museums in National Socialist Cultural Policy -- The Austrian Gallery during the Nazi Period -- 19 Art Market and Auctions in Vienna 1938-45 -- National Socialist Art Policy in the Gau City of Vienna -- 20 The Gustav Klimt Exhibition of 1943 -- Chapter V Changes and Continuities After 1945 -- Images and Quotes.
21 The "Vienna 1900" Brand -- 22 Mapping the Hood : The Belvedere Quarter -- "Our Modernism Is Homegrown!" Austria's Delayed Reconnection with the International Avant-Garde after 1945 -- In Search of (a Place for) Contemporary Art The Programmatic Development from 1945 to the Present -- 23 The History of the Museum of the Twentieth Century / 20er Haus -- 24 Restitutions after 1945 and the 1998 Art Restitution Act -- 2000 to 2020 : Nineteen Years of Growth -- Critical Niches : Democratization Processes in the Belvedere's Recent History -- 25 Expansions of the Museum into the Digital Space.
Note: Catálogo de la exposición celebrada en el Orangery of the Belvedere, Austria, del 2 de diciembre de 2022 al 7 de enero de 2024. Language Note: InglésBibliography: Incluye referencias bibliográficas (pp. 378-387) e índice.Abstract: Se necesitó más de una década para construir la residencia de verano del general más famoso de Viena, el príncipe Eugenio de Saboya. En 1723 finalizó la construcción del palacio superior y finalmente se completó la finca Belvedere. El 300 aniversario de este evento presenta la ocasión perfecta para que el museo reflexione sobre su historia. Como museo y edificio emblemático, el Belvedere ha sido sinónimo de poder y prestigio a lo largo de los siglos, sirviendo como escenario de festividades cortesanas, en ocasiones como residencia real y como lugar de celebración de la firma del Tratado de Estado de Austria en 1955. En una extensa exposición, el museo examinará las cambiantes funciones del edificio.
Holdings
Item type Current library Collection Call number Status Date due Barcode
Monografía prestable Biblioteca FJM Sala general Estudios Curatoriales N 1708.R65 2023 (Browse shelf(Opens below)) Available 1278091

Catálogo de la exposición celebrada en el Orangery of the Belvedere, Austria, del 2 de diciembre de 2022 al 7 de enero de 2024.

Intro -- Contents -- Foreword -- Introduction -- Chapter I Prince Eugene of Savoy as an Impresario of Art 1697-1736 -- Images and Quotes -- 1 The Belvedere : Construction and Interiors -- 2 The Set of Engravings -- 3 The Marble Gallery Sculptures -- Patronage and Collecting in the Habsburg Empire c. 1700 -- 4 The Winter Palace -- Prestige and Passion : Prince Eugene of Savoy's Picture Collection at His Garden Palace -- Collect, Collate, Catalogue : Prince Eugene of Savoy and the Beauty of Classification -- 5 The Theresianum Library Cabinets from Prince Eugene's Winter Palace.

Chapter II The Imperial Collections in the Belvedere 1776-1891 -- Images and Quotes -- 6 The Ambras Collection -- 7 The First Restoration Studio -- The Emergence of the Art Museum in the Eighteenth Century -- The Museumification of the Imperial Picture Gallery -- Opening and Public Access in the Upper Belvedere around 1800 -- 8 The Exchange of Pictures between Florence and Vienna -- New Concepts for the Display of Painting Schools in the Early Nineteenth Century -- 9 Napoleonic Looting and Evacuation of Artworks -- The "Modern School" of the Imperial Picture Gallery.

10 The Picture Gallery and the Academy of Fine Arts -- Chapter III From the Modern Gallery to the Austrian Gallery 1903-1938 -- Images and Quotes -- 11 A Kiss for the Modern Gallery -- Museums of Modern Art in the Late Habsburg Empire -- 12 The Imperial-Royal Traveling Museum -- A Palace as "Refuge" for Modernism -- 13 Hans Tietze's Museum Reform -- Art for All ? The Austrian State Gallery between Art Appreciation and Education -- 14 From the Austrian State Gallery Society to the Friends of Austrian Museums in Vienna, 1911/12-1938 -- The Foundation of the Baroque Museum in the Lower Belvedere.

15. The Ephesos Museum Visits the Lower Belvedere -- Origins of the Museum of Medieval Art -- Chapter IV The Museum during the Nazi Period 1938-1945 -- 16 "Degenerate Art" -- Images and Quotes -- 17 The Reich Chamber of Fine Arts, Vienna Office -- 18 Deaccession -- The Complicity of Museums in National Socialist Cultural Policy -- The Austrian Gallery during the Nazi Period -- 19 Art Market and Auctions in Vienna 1938-45 -- National Socialist Art Policy in the Gau City of Vienna -- 20 The Gustav Klimt Exhibition of 1943 -- Chapter V Changes and Continuities After 1945 -- Images and Quotes.

21 The "Vienna 1900" Brand -- 22 Mapping the Hood : The Belvedere Quarter -- "Our Modernism Is Homegrown!" Austria's Delayed Reconnection with the International Avant-Garde after 1945 -- In Search of (a Place for) Contemporary Art The Programmatic Development from 1945 to the Present -- 23 The History of the Museum of the Twentieth Century / 20er Haus -- 24 Restitutions after 1945 and the 1998 Art Restitution Act -- 2000 to 2020 : Nineteen Years of Growth -- Critical Niches : Democratization Processes in the Belvedere's Recent History -- 25 Expansions of the Museum into the Digital Space.

Se necesitó más de una década para construir la residencia de verano del general más famoso de Viena, el príncipe Eugenio de Saboya. En 1723 finalizó la construcción del palacio superior y finalmente se completó la finca Belvedere. El 300 aniversario de este evento presenta la ocasión perfecta para que el museo reflexione sobre su historia. Como museo y edificio emblemático, el Belvedere ha sido sinónimo de poder y prestigio a lo largo de los siglos, sirviendo como escenario de festividades cortesanas, en ocasiones como residencia real y como lugar de celebración de la firma del Tratado de Estado de Austria en 1955. En una extensa exposición, el museo examinará las cambiantes funciones del edificio.