The Glitch Music Book / Robert K. Davis

By:

Davis, Robert K [autor]

Material type: Text

TextPublisher: [s.l.]: [Autoedición], [2015]Description: 104 páginas : ilustraciones; 28 cmContent type:

Texto

Media type:

sin mediación

Carrier type:

volumen

ISBN:

9781518893957

Subject(s):

Glitch music -- Historia y crítica

Genre/Form:

Crítica, interpretación, etc.

Language Note: Texto en inglésBibliography: Incluye referencias bibliográficas e índicesSummary: "Glitch is a genre of electronic music that emerged in the late 1990s. It has been described as a genre that adheres to an "aesthetic of failure," where the deliberate use of glitch-based audio media, and other sonic artifacts, is a central concern. Sources of glitch sound material are usually malfunctioning or abused audio recording devices or digital electronics, such as CD skipping, electric hum, digital or analog distortion, bit rate reduction, hardware noise, software bugs, crashes, vinyl record hiss or scratches and system errors. In a Computer Music Journal article published in 2000, composer and writer Kim Cascone classifies glitch as a subgenre of electronica, and used the term post-digital to describe the glitch aesthetic."

Holdings ( 1 )
Title notes ( 1 )

Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Monografías	Biblioteca FJM Sala Nuevas músicas	M-Doc 056 Dav (Browse shelf(Opens below))	Available		1277837

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"Glitch is a genre of electronic music that emerged in the late 1990s. It has been described as a genre that adheres to an "aesthetic of failure," where the deliberate use of glitch-based audio media, and other sonic artifacts, is a central concern. Sources of glitch sound material are usually malfunctioning or abused audio recording devices or digital electronics, such as CD skipping, electric hum, digital or analog distortion, bit rate reduction, hardware noise, software bugs, crashes, vinyl record hiss or scratches and system errors. In a Computer Music Journal article published in 2000, composer and writer Kim Cascone classifies glitch as a subgenre of electronica, and used the term post-digital to describe the glitch aesthetic."