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New music and the crises of materiality : sounding bodies and objects in late modernity / Samuel J. Wilson.

By: Material type: TextTextPublisher: Abingdon, Oxon ; New York, NY ; London : Routledge, [2021]Copyright date: ©2021Description: viii, 173 páginas : ilustraciones (blanco y negro); música notada ; 24 cmContent type:
  • texto
Media type:
  • sin mediación
Carrier type:
  • volumen
ISBN:
  • 9780367489113
Subject(s):
Contents:
Introduction: New Musical Materialisms -- Part 1: Musical Bodies: 1. The (Dis)possession of the Musical Body ; 2. The Composition of Posthuman Bodies -- Part 2: Musical Objects: 3. Orientations and the Piano-Object ; 4. Contemporary Composition and/as Plastic Art -- Part 3: Musical Materials: 5: On the "Material" of Musical Material ; 6: Natures and Ecologies of Composition
Bibliography: Incluye referencias bibliográficas e índices.Summary: "This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently." (cubierta posterior)

Introduction: New Musical Materialisms -- Part 1: Musical Bodies: 1. The (Dis)possession of the Musical Body ; 2. The Composition of Posthuman Bodies -- Part 2: Musical Objects: 3. Orientations and the Piano-Object ; 4. Contemporary Composition and/as Plastic Art -- Part 3: Musical Materials: 5: On the "Material" of Musical Material ; 6: Natures and Ecologies of Composition

"This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently." (cubierta posterior)

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