Ways of curating [ Texto impreso] / Hans Ulrich Obrist ; with Asad Raza.
Material type: TextPublication details: [London] : Penguin Books, 2015.Description: viii, 180 p. ; 19 cmISBN:- 9780241950968
Item type | Current library | Collection | Call number | Vol info | Status | Date due | Barcode | |
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Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 408 .O27 2015 (Browse shelf(Opens below)) | 2c, c1 | Available | 1239867 | ||
Monografía prestable | Museu Fundación Juan March. Palma Biblioteca. Museu Fundación Juan March. Palma | Arte | N 408 .O27 2015 (Browse shelf(Opens below)) | 2c, c2 | Checked out | 27/07/2022 | 1272728 |
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Publicado originalmente por Allen Lane en 2014.
Prologue: The Way Things Go -- With Alighiero Boetti -- Mondialité -- do it -- Curating, Exhibitions and the Gesamtkunstwerk -- Courbet, Manet and Whistler -- Collecting Knowledge -- Of Libraries and Archives -- Printed Exhibitions -- Infinite Conversations-- Pioneers -- Night Trains and Other Rituals -- The Kitchen -- Robert Walser and Gerhard Richter -- Mentors -- Félix Fénéon and the Hotel Carlton Palace -- Invisible Cities -- London Calling -- Architecture, Urbanism and Exhibitions -- Biennials -- Utopia Station -- Ballet Russes -- Time and Exhibitions -- Of Pavilions and Marathons -- Curating (Non-)Conferences -- Les Immateriaux -- Laboratorium -- Curating the Future.
"Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher's seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come. Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art--and at the world--in a new way." -- Página web de Amazon.