Double vision [ Texto impreso] : Albrecht Dürer, William Kentridge / edited by Klaus Krüger, Andreas Schalhorn, Elke Anna Werner ; with the collaboration of Nadine Rottau.

Contributor(s): Material type: Text

TextPublication details: Munich : Sieveking Verlag, c2015.Description: 207 p. : ilustraciones en blanco y negro y algunas en color ; 32 cmISBN:

9783944874371

Subject(s):

Genre/Form:

Catálogos de exposiciones

Contents:

Preface / Klaus Krüger, Heinrich Schulze Altcappenberg -- Introduction / Elke Anna Werner, Andreas Schalhorn -- Double vision - manifold Evidenz / Klaus Krüger -- Opening perspectives / essay, Nadine Rottau -- Seeing the uncertain / essay, Elke Anna Werner -- Pictures migrating and mutating / essay, Elke Anna Werner -- Inside the thought-space of images / essay, Andreas Schalhorn/Elke Anna Werner -- Mapping and systemizing memory / essay, Andreas Schalhorn/Elke Anna Werner -- Printing black, seeing white / essay, Andreas Schalhorn -- Hold the line - Albrecht Dürer and the printmaking techniques of his time / essay, Michael Roth -- Following pictures / essay, Andreas Schalhorn -- On the exhibition architecture / Marlies Breuss -- Seven questions for William Kentridge / Andreas Schalhorn, Elke Anna Werner -- Biography: Albrecht Dürer -- Biography: William Kentridge.

Note: Publicado con ocasión de la exposición organizada por el DFG-Transferprojekt "Evidenz ausstellen" de la Freie Universität Berlin y por el Kupferstichkabinett de Staatliche Museen zu Berlin. Realizada en el Kulturforum-Staatliche Museen zu Berlin, del 20 de noviembre de 2015 al 6 de marzo de 2016 y en la Staatliche Kunsthalle Karlsruhe, del 10 de septiembre de 2016 al 8 de enero de 2017. Language Note: Inglés y alemán.Bibliography: Incluye referencias bibliográficas (p. 202-204)Scope and content: "In the history of printmaking, Albrecht Dürer (1471-1528) and William Kentridge (b. 1955) are two of the most outstanding protagonists of an exquisitely nuanced art of black and white. Double Vision unites, in spite of their cultural differences and a gap of five centuries, the works of the German Renaissance artist par excellence and South Africa's most renowned contemporary artist in a lively dialogue. This richly illustrated book offers insights into the diversity and differences of both artists' prints, as well as the many surprising similarities they share. Each printmaker's artistic strategies and visual forms of expression are explained in detail, showing how they find their images and relate their stories in times of political and social upheaval" -- Cubierta posterior.

Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Monografía prestable	Biblioteca FJM Arte (Sala Padilla)	Arte	NE 654 .D9 A4 2015 (Browse shelf(Opens below))	Available		1239667

Publicado con ocasión de la exposición organizada por el DFG-Transferprojekt "Evidenz ausstellen" de la Freie Universität Berlin y por el Kupferstichkabinett de Staatliche Museen zu Berlin. Realizada en el Kulturforum-Staatliche Museen zu Berlin, del 20 de noviembre de 2015 al 6 de marzo de 2016 y en la Staatliche Kunsthalle Karlsruhe, del 10 de septiembre de 2016 al 8 de enero de 2017.

"In the history of printmaking, Albrecht Dürer (1471-1528) and William Kentridge (b. 1955) are two of the most outstanding protagonists of an exquisitely nuanced art of black and white. Double Vision unites, in spite of their cultural differences and a gap of five centuries, the works of the German Renaissance artist par excellence and South Africa's most renowned contemporary artist in a lively dialogue. This richly illustrated book offers insights into the diversity and differences of both artists' prints, as well as the many surprising similarities they share. Each printmaker's artistic strategies and visual forms of expression are explained in detail, showing how they find their images and relate their stories in times of political and social upheaval" -- Cubierta posterior.

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