BIBLIOTECA
CENTRO DE APOYO A LA INVESTIGACIÓN
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False impressions [ Texto impreso] : the hunt for big-time art fakes / Thomas Hoving.

By: Material type: TextTextPublication details: New York : Simon & Schuster, c1996.Description: 366 p., [16] p. of plates : ill. ; 24 cmISBN:
  • 0684811340
Subject(s):
Contents:
Fakebusters, fakers, and how to tell a fake -- The giddy ancient world -- The shrouded Middle Ages -- Tricks of the Renaissance and Shams of the Baroque -- Victorian shenanigans -- The golden age of fakes--now! -- M<y early experiences -- Young at the game -- A real pro -- Busting Wolfgang -- Fakes by the ton -- If a fake is so good that it fools all the experts, then ... -- Has any faker fooled them all? -- Deep suspicions -- The pseudo-fakebusters -- "Guardi is still alive" -- The "fhaker" with Chutzpah -- The curious spurious Kouros -- Con Brio.
Información biográfica o histórica: Thomas Hoving fue director del Metropolitan Museum of Art y editor en jefe de la revista Connoisseur.Bibliography: Incluye referencias bibliográficas (p. [335]-347) e índice.Summary: El autor revisa una larga serie de falsificaciones artísticas, que alcanzan 2000 años de antigüedad cuando los romanos falsificaban obras de arte griegas.
Holdings
Item type Current library Collection Call number Status Date due Barcode
Monografía prestable Biblioteca FJM Sala general Estudios Curatoriales N 8790 .H68 1996 (Browse shelf(Opens below)) Available 1213750

Fakebusters, fakers, and how to tell a fake -- The giddy ancient world -- The shrouded Middle Ages -- Tricks of the Renaissance and Shams of the Baroque -- Victorian shenanigans -- The golden age of fakes--now! -- M<y early experiences -- Young at the game -- A real pro -- Busting Wolfgang -- Fakes by the ton -- If a fake is so good that it fools all the experts, then ... -- Has any faker fooled them all? -- Deep suspicions -- The pseudo-fakebusters -- "Guardi is still alive" -- The "fhaker" with Chutzpah -- The curious spurious Kouros -- Con Brio.

El autor revisa una larga serie de falsificaciones artísticas, que alcanzan 2000 años de antigüedad cuando los romanos falsificaban obras de arte griegas.

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