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Inventing the art collection [ Texto impreso] : patrons, markets, and the state in nineteenth-century Spain / Oscar E. Vázquez.

By: Material type: TextTextPublication details: University Park, Pa. : Pennsylvania State University Press, c2001.Description: xvi, 295 p. : il. ; 29 cmISBN:
  • 0271020849
Subject(s):
Contents:
Introduction: The subject of collecting (p. 1) -- One. Mapping the Madrid art market (p. 31) -- Two. The search for audiences (p. 69) -- Three. Arts administration and state collections (p. 97) -- Four. "Her Majesty's Patrimony" (p. 123) -- Five. Collections and genealogies (p. 159) -- Six. "Speculators with bad intentions" (p. 187) -- Appendixes (p. 209).
Información biográfica o histórica: Oscar E. Vazquez is Associate Professor in the Program in Art History, University of Illinois at Urbana-Champaign. -- Solapa posterior.Bibliography: Incluye referencias bibliográficas (p. [275]-287) e índice.Summary: "The pace and scale of the exchange of cultural goods of all sorts - paintings, furniture, even ladies' fans - increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing "art" were soon formed. Oscar Vazquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate the economic and symbolic worth of art at all levels of Spanish society." "Drawing upon sources that range from newspaper reviews to notarial documents, Vazquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe as well as art historians and cultural theorists." -- Solapas.
Holdings
Item type Current library Collection Call number Status Date due Barcode
Monografía prestable Biblioteca FJM Sala general Estudios Curatoriales N 5277 .V39 2001 (Browse shelf(Opens below)) Available 1213741

Introduction: The subject of collecting (p. 1) -- One. Mapping the Madrid art market (p. 31) -- Two. The search for audiences (p. 69) -- Three. Arts administration and state collections (p. 97) -- Four. "Her Majesty's Patrimony" (p. 123) -- Five. Collections and genealogies (p. 159) -- Six. "Speculators with bad intentions" (p. 187) -- Appendixes (p. 209).

"The pace and scale of the exchange of cultural goods of all sorts - paintings, furniture, even ladies' fans - increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing "art" were soon formed. Oscar Vazquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate the economic and symbolic worth of art at all levels of Spanish society." "Drawing upon sources that range from newspaper reviews to notarial documents, Vazquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe as well as art historians and cultural theorists." -- Solapas.

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