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The Armory Show at 100 [ Texto impreso] : modernism and revolution / edited by Marilyn Satin Kushner and Kimberly Orcutt ; Casey Nelson Blake, Senior Historian ; contributions by William C. Agee ... [et al.].

Contributor(s): Material type: TextTextDescription: 512 p. : il. (principalmente en color) ; 31 cmISBN:
  • 9780916141264
Subject(s):
Contents:
A century of the armory show: modernism and myth / Marilyn Satin Kushner (p. 13) -- Organizers of the armory show: Arthur B. Davies-Hero or villain? / Kimberly Orcutt (p. 29) -- Walt Kuhn: Armory showman / Gail Stavitsky (p. 43) -- Walter Pach: Agent of modernism / Laurette E. McCarthy (p. 55) -- "So many thrills, so much excitement": Elmer MacRae's role in the Armory show / Susan G. Larkin (p. 69) -- New York and the United States ca. 1913: Greenwich Village modernism: "The essence of it all was communication" / Casey Nelson Blake (p. 83) -- The Armory show in the provisional city / Max Page (p. 99) -- The Armory show and the transformation of American culture / Daniel H. Borus (p. 113) -- Echoes of the Armory show: modern music in New York / Leon Botstein (p. 127) -- The "big show" and the little galleries: Alfred Stieglitz and the search for modern art photography in 1913 / Anne McCauley (p. 141) -- A "wordminded people" encounters the Armory show / Susan Hegeman (p. 155) -- 1913: a feminist moment in the arts / Charles Musser (p. 169) -- The exhibition: Off to the Armory show! / Didier Ottinger (p. 183) -- "An explosion in a shingle factory": Marcel Duchamp's Nude descending a staircase (no. 2) / Francis M. Naumann (p. 203) -- "The Cuban who outcubed the Cubists": Francis Picabia and the 1913 Armory show / Michael R. Taylor (p. 211) -- Henri Matisse at the Armory show-and beyond / William C. Agee (p. 219) -- Brancusi's busts: work in progress / Doïna Lemny (p. 227) -- Puvis de Chavannes, pioneer and paragon of modernism / Aimée Brown Price (p. 233) -- American art: Slouching toward modernism: American art at the Armory show / Virginia M. Mecklenburg (p. 243) -- Case studies: Robert Henri's manifesto / Kimberly Orcutt (p. 267) -- A pre-emptive strike: John Marin and the Armory show / Martha Tedeschi (p. 275) -- Morgan Russell: A "barbarian" or American avant-garde in Paris? / Marilyn Satin Kushner (p. 281) -- Morton Livingston Schamberg: a short life, a major achievement / William C. Agee (p. 287) -- Works on paper: Drawings at the armory: the currency of change and modernism / Roberta J.M. Olson (p. 29/) -- Revisiting editions: prints in the Armory show / Marilyn Satin Kushner (p. 313) -- Responses: "Public verdict": debating modernism at the Armory show / Kimberly Orcutt (p. 32/ -- Cubist comedy and futurist follies: the visual culture of the Armory show / Sarah Burns (p. 345) -- Traveling venues: "The great confusion": the Armory show in Chicago / Judith A. Barter (p. 363) -- "Unwept, unhonored and unsung": the Armory show in Boston / Carol Troyen (p. 379) -- Legacy: The legacy of the Armory show: fiasco or transformation / Barbara Haskell (p. 395) -- "Creating a new epoch": American collectors and dealers and the Armory show / Avis Berman (p. 413) -- Appendix A: The complete 1913 Armory Show checklist (p. 434) -- Appendix B: List of Works in the 1913 Armory Show by Gallery (p. 464).
Información biográfica o histórica: "Marilyn Satin Kushner is Curator and Head of the Department of Prints, Photographs, and Architectural Collections at the New York Historical Society." -- Cubierta posterior."Kimberly Orcutt is Henry Luce Foundation Curator of American Art at the New York Historical Society." -- Cubierta posterior."Casey Nelson Blake is Professor of History and American Studies at Columbia University, and the show's Senior Historian." -- Cubierta posterior.Bibliography: Incluye referencias bibliográficas (p. [430]-433) e índice.Summary: "The 1913 International Exhibition of Modern Art (or Armory Show) marked a turning point in the history of American art and culture. Organized by a small group of American artists and presented in the huge space of the 69th Regiment Armory in New York City, this ambitious exhibition of 1,400 works was the moment when the American public was introduced to European avant-garde art. This outstanding interdisciplinary volume re-examines the exhibition and its historical and cultural context. It includes over thirty essays by eminent scholars across diverse fields to evoke the wider social, political, and economic climate during the 1913 show." -- Google Libros.
Holdings
Item type Current library Collection Call number Status Date due Barcode
Monografía prestable Biblioteca FJM Sala general Estudios Curatoriales N 6448 .A74 A76 2013 (Browse shelf(Opens below)) Available 1213422

A century of the armory show: modernism and myth / Marilyn Satin Kushner (p. 13) -- Organizers of the armory show: Arthur B. Davies-Hero or villain? / Kimberly Orcutt (p. 29) -- Walt Kuhn: Armory showman / Gail Stavitsky (p. 43) -- Walter Pach: Agent of modernism / Laurette E. McCarthy (p. 55) -- "So many thrills, so much excitement": Elmer MacRae's role in the Armory show / Susan G. Larkin (p. 69) -- New York and the United States ca. 1913: Greenwich Village modernism: "The essence of it all was communication" / Casey Nelson Blake (p. 83) -- The Armory show in the provisional city / Max Page (p. 99) -- The Armory show and the transformation of American culture / Daniel H. Borus (p. 113) -- Echoes of the Armory show: modern music in New York / Leon Botstein (p. 127) -- The "big show" and the little galleries: Alfred Stieglitz and the search for modern art photography in 1913 / Anne McCauley (p. 141) -- A "wordminded people" encounters the Armory show / Susan Hegeman (p. 155) -- 1913: a feminist moment in the arts / Charles Musser (p. 169) -- The exhibition: Off to the Armory show! / Didier Ottinger (p. 183) -- "An explosion in a shingle factory": Marcel Duchamp's Nude descending a staircase (no. 2) / Francis M. Naumann (p. 203) -- "The Cuban who outcubed the Cubists": Francis Picabia and the 1913 Armory show / Michael R. Taylor (p. 211) -- Henri Matisse at the Armory show-and beyond / William C. Agee (p. 219) -- Brancusi's busts: work in progress / Doïna Lemny (p. 227) -- Puvis de Chavannes, pioneer and paragon of modernism / Aimée Brown Price (p. 233) -- American art: Slouching toward modernism: American art at the Armory show / Virginia M. Mecklenburg (p. 243) -- Case studies: Robert Henri's manifesto / Kimberly Orcutt (p. 267) -- A pre-emptive strike: John Marin and the Armory show / Martha Tedeschi (p. 275) -- Morgan Russell: A "barbarian" or American avant-garde in Paris? / Marilyn Satin Kushner (p. 281) -- Morton Livingston Schamberg: a short life, a major achievement / William C. Agee (p. 287) -- Works on paper: Drawings at the armory: the currency of change and modernism / Roberta J.M. Olson (p. 29/) -- Revisiting editions: prints in the Armory show / Marilyn Satin Kushner (p. 313) -- Responses: "Public verdict": debating modernism at the Armory show / Kimberly Orcutt (p. 32/ -- Cubist comedy and futurist follies: the visual culture of the Armory show / Sarah Burns (p. 345) -- Traveling venues: "The great confusion": the Armory show in Chicago / Judith A. Barter (p. 363) -- "Unwept, unhonored and unsung": the Armory show in Boston / Carol Troyen (p. 379) -- Legacy: The legacy of the Armory show: fiasco or transformation / Barbara Haskell (p. 395) -- "Creating a new epoch": American collectors and dealers and the Armory show / Avis Berman (p. 413) -- Appendix A: The complete 1913 Armory Show checklist (p. 434) -- Appendix B: List of Works in the 1913 Armory Show by Gallery (p. 464).

"The 1913 International Exhibition of Modern Art (or Armory Show) marked a turning point in the history of American art and culture. Organized by a small group of American artists and presented in the huge space of the 69th Regiment Armory in New York City, this ambitious exhibition of 1,400 works was the moment when the American public was introduced to European avant-garde art. This outstanding interdisciplinary volume re-examines the exhibition and its historical and cultural context. It includes over thirty essays by eminent scholars across diverse fields to evoke the wider social, political, and economic climate during the 1913 show." -- Google Libros.

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