The Cambridge companion to theatre history [ Texto impreso] / edited by David Wiles and Christine Dymkowski.
Material type:
- 9780521149839 (paperback)
Item type | Current library | Call number | Status | Date due | Barcode | |
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Monografía prestable | Biblioteca FJM Sala general | T-Doc 014 Cam (Browse shelf(Opens below)) | Available | 1209266 |
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T-Doc 014 Cal Quevedo y la generación del 27 : (1927-1936) / | T-Doc 014 Cal Il dramma romantico in Spagna / | T-Doc 014 Cal El teatro español en la época romántica / | T-Doc 014 Cam The Cambridge companion to theatre history [ | T-Doc 014 Can Españoles de dos siglos : (de Valera a nuestros días) / | T-Doc 014 Car El teatre en la postguerra valenciana (1939-1962) / | T-Doc 014 Car Teatro popular y magia / |
PART I. WHY?: 1. Why theatre history? / David Wiles -- Part II. WHEN?: Indicative Timeline; 2. Modernist theatre / Stefan Hulfeld; 3. Baroque to romantic theatre / Christopher Baugh; 4. Medieval, renaissance and early modern theatre / David Wiles; 5. Classical theatre / Erika Fischer-Lichte -- Part IIi. WHERE?: 6. Liverpool / Ros Merkin; 7. Finland / S. E. Wilmer; 8. Egypt / Hazem Azmy; 9. Traditional theatre: the case of Japanese Noh / Diego Pellecchia; 10. Reflections on a global theatre history / Marvin Carlson -- Part IV. WHAT?: 11. The audience / Willmar Sauter; 12. The art of acting / Josette Féral; 13. Music theatre and musical theatre / Zachary Dunbar; 14. Circus / Marius Kwint -- Part V. HOW?: 15. The nature of historical evidence: a case study / Thomas Postlewait; 16. The visual record: the case of Hamlet / Barbara Hodgdon; 17. Museums, archives and collecting / Fiona Macintosh; 18. Re:enactment / Gilli Bush-Bailey; 19. The internet: history 2.0? / Jacky Bratton and Grant Tyler Peterson.
"Scholars, amateur historians and actors have shaped theatre history in different ways at different times and in different places. This Companion offers students and general readers a series of accessible and engaging essays on the key aspects of studying and writing theatre history. The diverse international team of contributors investigates how theatre history has been constructed, showing how historical facts are tied to political and artistic agendas and explaining why history matters to us" (cubierta posterior)