Everything you always wanted to know about gallerists but were afraid to ask [ Texto impreso] / Andrea Bellini.
Material type: TextSeries: Hapax SeriesPublication details: Zürich : JRP Ringier, 2009.Description: 333 p : il., retratos ; 17 cmISBN:- 9783037640876
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 8620 .B45 2009 (Browse shelf(Opens below)) | Available | 1206432 |
Browsing Biblioteca FJM shelves, Shelving location: Sala general, Collection: Estudios Curatoriales Close shelf browser (Hides shelf browser)
N 8560 .C653 2009 Conservación de arte contemporáneo [ : 10a Jornada, Febrero 2009 / | N 8560 .C653 2011 Conservación de arte contemporáneo [ : 12a Jornada, Febrero 2011 / | N 8560 .C6553 2008 Conservación preventiva y procedimientos en exposiciones temporales [ | N 8620 .B45 2009 Everything you always wanted to know about gallerists but were afraid to ask [ | N 8620 .G76 2005 International art galleries [ : post-war to post-millennium / | N 8660 .B49 A5 2015 La Pasión por el arte [ : conversaciones con Christophe Mory / | N 8660 .C37 K86 v.1 Kunstsalon Cassirer [ |
Air de Paris, Paris, Florence Bonnefous (p. 14) ; Art : Concept, Paris, Olivier Antoine (p. 19) ; Balicehertling, Paris, Daniele Balice (p. 26) ; Galerie Isabella Bortolozzi, Berlin, Isabella Bortolozzi (p. 35) ; Gavin Brown's Enterprise, New York, Gavin Brown (p. 39) ; Galleriacontinua, San Gimignano, Bejing, Le Moulin, Mario Cristiani, Lorenzo Fiaschi, Maurizio Rigillo (p. 43) ; Galerie Chantal Crousel, Paris, Chantal Crousel (p. 52) ; Thomas Dane Gallery, London. Thomas Dane (p. 57) ; Galería Helga de Alvear, Madrid, Helga de Alvear (p. 62) ;Galleria Massimo de Carlo, Milan, Massimo de Carlo (p. 66) ; Elizabeth Dee Gallery, New York, Elizabeth Dee (p. 80) ; Evergreene, Geneva, Nicole Timonier (p. 88) ; Freymond-Guth & Co Fine Arts, Zürich, Jean-Claude Freymond-Guth (p. 95) ; GB Agency, Paris, Nathalie Boutin and Solène Guillier (p. 101) ; Galeria Graça Brandao, Oporto, Lisbon, José Mário Brandao (p. 110) ; Greene Naftali Gallery, New York, Carol Greene (p. 115) ; Harris Lieberman, New York, Michael Lieberman, Jessie Washburne-Harris (p. 123) ; Hollybush Gardens, London, Lisa Panting, Malin Ståhl (p. 129) ; Hotel, London, Darren Flook (p. 136) ; Galerie Georg Kargl, Vienna, Georg Kargl (p. 144) ; Karma International, Zurich, Karolina Dankow, Marina Leuenberger (p. 150) ; Anton Kern Gallery, New York, Anton Kern (p. 157) ; Klosterfelde, Berlin, Johann König (p. 166) ; Tomio Koyoma Gallery, Tokyo, Tomio Koyama (p. 171) ; Kurimanzutto, Mexico City, Jose Kuri, Monica Manzutto (p. 176) ; Maccarone Inc., New York, Michèle Maccarone (p. 183) ; Mary Mary, Glasgow, Hannah Robinson (p. 189) ; Galleria Massimo Minni, Brescia, Massimo Minni (p. 194) ; Nature Morte, New Delhi, Peter Nagy (p. 202) ; Neugeriemschneider, Berlin, Tim Neuger, Burkhard Riemschneider (p. 208) ; Galleria Franco Noero, Turin, Franco Noero (p. 212) ; Peres Projects, Berlin, Los Angeles, Javier Peres (p. 218) ; Galerie Francesca Pia, Zurich, Francesca Pia (p. 225) ; Galerija Gregor Podnar, Berlin, Ljubljana, Gregor Podnar (p. 229) ; Galerie Eva Presenhuber, Zurich, Eva Presenhuber (p. 234) ; Projectesd, Barcelona, Silvia Dauder (p. 238) ; Galeria Raster, Warsaw, Lukasz Gorczyca, Michal Kaczynski (p. 243) ; Regina Gallery, Moscow, Regina and Vladimir Ovcharenko (p. 252) ; Rodeo, Istanbul, Sylvia Kouvali (p. 257) ; Anna Schwartz Gallery, Melbourne, Sidney, Anna Schwartz (p. 263) ; Shanghart, Shanghai, Lorenz Helbling (p. 268) ; Reena Spulings Fine Art, New York, Emily Sundblad (p. 274) ; T293, Naples, Marco Altavilla, Paola Guadagnino (p. 279) ; The Breeders, Athens, Stathis Panagoulis, George Vamvakidis (p. 286) ; The Modern Institute, Glasgow, Toby Webster (p. 291) ; Tucci Russo Studio per l'Arte Contemporanea, Torre Pellice, Antonio Tucci Russo (p. 296) ; Uplands, Prahran Victoria, Jarrod Rawlins (p. 307) ; Vitamin Creative Space, Guangzhou, Beijing, Zhang Wei (p. 315) ; Galerie Jocelyn Wolff, Paris, Jocelyn Wolff (p. 320) ; Galeria Zero ..., Milan, Paolo Zani (p. 328)
"The 51 gallery owners from Europe, the Americas, and Asia interviewed in this book talk about their relationship with artists, what they love (and hate) about their work, the changes the art world has undergone since they started at the end of the 1980s, and thus give precious insights and advice to collectors and up-and-coming players in the field. At this time of an all-encompassing hybridization of roles (critics and curators becoming dealers, artists acting as curators, fair managers becoming curators, etc.), the observations included in this volume provide an extraordinary snapshot of today's art system, reflecting its culture, strategies, and attitudes." (cubierta posterior)