BIBLIOTECA
CENTRO DE APOYO A LA INVESTIGACIÓN
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Inside installations [ Texto impreso]:] preservation and presentation of installation art / [ed. Tatja Scholte, Paulien 't Hoen; text editor, Helene Reid].

Contributor(s): Material type: TextTextPublication details: [Amsterdam] : ICN, 2007.Description: 64 p. : ilISBN:
  • 9789081208819
Other title:
  • www.inside-installations.org
Subject(s):
Contents:
Ignasi Aballí, Finestre (p. 6) ; Arthur Barrio; Interminàvel (p. 6) ; Krzysztof M. Bednarski, Grass just Grass (p. 8) ; Phil Collins, they shoot horses (p. 8) ; Angela de la Cruz, Larger than Life (p. 10) ; Tacita Dean, Disappearance at Sea (p. 10) ; Olafur Eliasson, Notion Motion (p. 12) ; Ger van Elk, The wider the flatter (p. 12) ; Carlos Garaicoa, Letter to the Censors (p. 14) ; Johann Grimonprez, Inflight (p. 14) ; Thomas Hirschhorn, Doppelgarage (p. 16) ; Jenny Holzer, Installation for Bilbao (p. 16) ; Suchan Kinoshita, Untitled (p. 18) ; Suchan Kinoshita, Voorstelling (p. 18) ; Joseph Kosuth, Glass (one and three) (p. 20) ; Greg Lynn & Fabian Marcaccio, The Predator (p. 20) ; Gustav Metzger, Liquid Crystal Environment (p. 22) ; Bruce Nauman, Mapping the studio II with color shift, flip, flop & flip/flop (Fat Chance John Cage) (p. 22) ; No Ghost Just a Shell, inititated by Pierre Huyghe & Philippe Parreno (p. 24) ; Dennis Oppenheim, Circle Puppets (p. 24) ; Nam June Paik, One Candle (p. 26) ; Panamarenko, The Aeromodeller OO-PL (p. 26) ; Javier Pérez, Un pedazo de cielo cristalizado (p. 28) ; Fabrizio Plessi, Liquid Time II (p. 28) ; Ulrike Rosenbach, Don`t think I am an Amazon (p. 30) ; Tino Sehgal, This is Propaganda (p. 30) ; Jeffrey Shaw & Tjebbe van Tijen, Revolution (a monument for the television revolution) (p. 32) ; Ross Sinclair; Journey to the edge of the world - the new republic of St. Kilda (p.32) ; Bill Spinhoven, Albert’s Ark (p. 34) ; Joëlle Tuerlinckx, Ensemble autour du MUR (p. 34) ; Eulàlia Valldosera, Flying #1 New York (p. 36) ; Franz West, Clamp (p. 36) ; Gilberto Zorio, Los Zorios (p. 38) -- research activites: The preservation of installation (p. 40) ; Artist Participation (p. 45) ; Documentation Model (2IDM) (p. 48) ; Documentation of installation art (p. 50) The measurement of installation art (p. 50) ; Documetnation of light (p. 52) ; Documentation of movement an sound (p. 53) ; Visualisation of installation art (p. 54) ; 3D documentation of installations (p. 55) ; Video documentation of installations (p. 56) ; Theory and semantics (p. 58) ; Knowledge management and information exchange (p. 61)
Note: "Inside Installations: Preservation and Presentation of Installation Art is a three-year research project (2004-2007) into the care and administration of an art form that is challenging prevailing views of conservation." Summary: "The Inside Installations project asks - How can we safeguard these expressions of our contemporary visual culture so that they can be experienced by future generations? For contemporary art museums this is a key question as they struggle to address their responsibilities in relation to an art form which is significantly different to traditional objects. The complexity of installations calls for a greater interdisciplinary approach in their conservation, production and installation, drawing on a wide body of expertise. This is a new area for conservation and collections management and one which is ideally suited to a collaborative approach in the development of guidelines and models of good practice." (www.inside-installations.org)
Holdings
Item type Current library Collection Call number Vol info Status Date due Barcode
Monografía prestable Biblioteca FJM Sala general Estudios Curatoriales N 6498 .I56 I53 2007 (Browse shelf(Opens below)) 2c, c1 Available 1200574
Monografía prestable Biblioteca FJM Arte (Sala Padilla) Estudios Curatoriales N 6498 .I56 I53 2007 (Browse shelf(Opens below)) 2c, c2 Checked out 12/10/2021 1271235

"Inside Installations: Preservation and Presentation of Installation Art is a three-year research project (2004-2007) into the care and administration of an art form that is challenging prevailing views of conservation."

Ignasi Aballí, Finestre (p. 6) ; Arthur Barrio; Interminàvel (p. 6) ; Krzysztof M. Bednarski, Grass just Grass (p. 8) ; Phil Collins, they shoot horses (p. 8) ; Angela de la Cruz, Larger than Life (p. 10) ; Tacita Dean, Disappearance at Sea (p. 10) ; Olafur Eliasson, Notion Motion (p. 12) ; Ger van Elk, The wider the flatter (p. 12) ; Carlos Garaicoa, Letter to the Censors (p. 14) ; Johann Grimonprez, Inflight (p. 14) ; Thomas Hirschhorn, Doppelgarage (p. 16) ; Jenny Holzer, Installation for Bilbao (p. 16) ; Suchan Kinoshita, Untitled (p. 18) ; Suchan Kinoshita, Voorstelling (p. 18) ; Joseph Kosuth, Glass (one and three) (p. 20) ; Greg Lynn & Fabian Marcaccio, The Predator (p. 20) ; Gustav Metzger, Liquid Crystal Environment (p. 22) ; Bruce Nauman, Mapping the studio II with color shift, flip, flop & flip/flop (Fat Chance John Cage) (p. 22) ; No Ghost Just a Shell, inititated by Pierre Huyghe & Philippe Parreno (p. 24) ; Dennis Oppenheim, Circle Puppets (p. 24) ; Nam June Paik, One Candle (p. 26) ; Panamarenko, The Aeromodeller OO-PL (p. 26) ; Javier Pérez, Un pedazo de cielo cristalizado (p. 28) ; Fabrizio Plessi, Liquid Time II (p. 28) ; Ulrike Rosenbach, Don`t think I am an Amazon (p. 30) ; Tino Sehgal, This is Propaganda (p. 30) ; Jeffrey Shaw & Tjebbe van Tijen, Revolution (a monument for the television revolution) (p. 32) ; Ross Sinclair; Journey to the edge of the world - the new republic of St. Kilda (p.32) ; Bill Spinhoven, Albert’s Ark (p. 34) ; Joëlle Tuerlinckx, Ensemble autour du MUR (p. 34) ; Eulàlia Valldosera, Flying #1 New York (p. 36) ; Franz West, Clamp (p. 36) ; Gilberto Zorio, Los Zorios (p. 38) -- research activites: The preservation of installation (p. 40) ; Artist Participation (p. 45) ; Documentation Model (2IDM) (p. 48) ; Documentation of installation art (p. 50) The measurement of installation art (p. 50) ; Documetnation of light (p. 52) ; Documentation of movement an sound (p. 53) ; Visualisation of installation art (p. 54) ; 3D documentation of installations (p. 55) ; Video documentation of installations (p. 56) ; Theory and semantics (p. 58) ; Knowledge management and information exchange (p. 61)

"The Inside Installations project asks - How can we safeguard these expressions of our contemporary visual culture so that they can be experienced by future generations? For contemporary art museums this is a key question as they struggle to address their responsibilities in relation to an art form which is significantly different to traditional objects. The complexity of installations calls for a greater interdisciplinary approach in their conservation, production and installation, drawing on a wide body of expertise. This is a new area for conservation and collections management and one which is ideally suited to a collaborative approach in the development of guidelines and models of good practice." (www.inside-installations.org)