Exhibiting the new art [ Texto impreso]:] 'Op losse schroeven'; and 'When attitudes become form' 1969 / Christian Rattemeyer ; with additional essays by Wim Beeren ... [et al.].
Material type:
TextSeries: Exhibition historiesPublication details: London : Afterall Books, c2010.Description: 280 p : il. (algunas en col.) ; 22 cmISBN: - 9783865608598
- Amsterdam (Países bajos) -- Stedelijk Museum -- Historia -- S. XX
- Kunsthalle Bern -- Historia -- S. XX
- Arte moderno -- Exposiciones -- Historia -- S. XX
- Arte moderno -- S. XX -- Exposiciones
- Arte -- Suiza -- Bern -- Exposiciones
- Arte -- Países bajos -- Amsterdam -- Exposiciones
- Estudios y prácticas curatoriales
| Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|
| Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 4396 .E84 2010 (Browse shelf(Opens below)) | Available | 1200538 |
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| N 4395 .T55 1996 Thinking about exhibitions [ | N 4395 .W67 2001 Words of wisdom [ : a curator's vade mecum on contemporary art / | N 4395 U53 2006 Under construction [ : Perspektiven institutionellen Handelns / | N 4396 .E84 2010 Exhibiting the new art [ 'Op losse schroeven'; and 'When attitudes become form' 1969 / | N 4396 .J66 2016 The Global work of Art [ : world's fairs, biennials, and the aesthetics of experience / | N 4396 .O54 2012 The culture of curating and the curating of culture(s) [ | N 4396.5 .T38 1999 Art for the nation [ : exhibitions and the London public, 1747-2001 / |
Contiene numerosas fotografías de las exposiciones y de las obras expuestas.
'Op Losse Schroeven' and 'When Attitudes Become Form' 1969 / Christian Rattemeyer (p. 12) -- 'Op Losse Schroeven (Situations and Cryptostructures)', Stedelijk Museum, Amsterdam: List of artists (p. 65) ; Museum plans (p. 66) ; Installation views (p. 68) ; Chronology: Tracing 'Op Losse Schroeven (Situations and Cryptostructures)' / Steven ten Thije (p. 106) ; Catalogue cover (p. 117) ; Catalogue essay: The Exhibition / Wim Beeren, 1969 (p. 118) ; Catalogue bibliography (p. 127) -- 'When Attitudes Become Form (Works, Concepts, Processes, Situations, Information)', Kunsthalle Bern: List of artists (p. 129) ; Kunsthalle plans (p. 130) ; Installation views (p. 132) ; Chronology: How Does an Exhibition Come into Being? / Harald Szeemann (p. 172) ; Catalogue cover (p. 191) ; Catalogue essay: About the Exhibition / Harald Szeemann (p. 194) ; Catalogue essay: Against Precedents / Charles Harrison (p. 194) ; Catalogue bibliography (p. 201) -- The Prodigal Maker's Trilogy. Three Exhibitions: Bern, Amsterdam, Rotterdam / Tommaso Trini (p. 202) -- 'Op Losse Schroeven' and 'When Attitudes Become Form': Public Reception in the Netherlands and Switzerland / Steven ten Thije (p. 212) -- Avant-garde Marketing: 'When Attitudes Become Form' and Philip Morris's Sponsorship / Claudia Di Lecce (p. 220) -- Temporary Artistic Communities / Francesco Manacorda (p. 230) -- Interviews with exhibiting artists: Marinus Boezem in conversation with Steven ten Thije (p. 240) ; Jan Dibbets in conversation with Lucy Steeds (p. 248) ; Ger van Elk in conversation with Charles Esche and Steven ten Thije (p. 254) ; Richard Serra in conversation with Lucy Steeds (p. 260)
"The 'new art' of the late 1960s was shown in two landmark exhibitions in 1969: Op Losse Schroeven and When Attitudes Become Form. This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial approaches. Christian Rattemeyer offers a rich comparative analysis of the two exhibitions, exploring the related but differing approaches of the two curators Wim Beeren and Harald Szeemann in two distinct institutional settings: the Stedelijk Museum in Amsterdam and the Kunsthalle Bern. Numerous installation photographs enable a virtual 'walk through' of each exhibition, while meticulous chronologies detail the negotiations that shaped them. Crucial texts from the time are complemented by new research and fascinating recent interviews with participating artists. Included are interviews with Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra. This book is Volume 1 in the Exhibition Histories series, which investigates shows that have shaped the way contemporary art is experienced, made and discussed." (cubierta posterior)
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