A fine red line : a curatorial miscellany / edited by Yannis Arvanitis, ... [et al.].

Contributor(s): Material type: Text

TextPublication details: London : IM Press, 2008.Description: 80 p : il. (algunas col.) ; 23 cmISBN:

9781906424053

Subject(s):

Contents:

Introduction: A Fine Red Line (p. 6) -- Is curating caring? / John Stezaker, Rahila Haque (p. 08) -- Does 'community' objectify? / Emily Jacir, Louisa Adam (p. 14) -- Does new media mean new democracy? / Guillaume Paris, Haizea Barcenilla in collaboration with Raymond Taudin Chabot (p. 20) -- What fiction? / Rosa Barba, David Maljkovic (p. 30) -- Where does performance start and end? / Mario Garcia Torres, Caterina Riva (p. 36) -- A single code of ethics for a global art system? / Alexandre Singh, Christine Kunze Takegny (p. 42) -- Do community art projects provoke change? / Jeffrey Vallance, Stephanie Sykes in collaboration with Tarek Zaki and Marlena Kudlicka (p. 48) -- Is curating still caring? Steven Claydon, Cally Spooner (p. 58) -- Is there a new mysticism in the art assemblage? / Carol Bove, Stephanie Bertrand, AA Bronson (p. 64)

Bibliography: Incluye referencias bibliográficas.Summary: "A Fine Red Line is a curatorial miscellany, a collection of visual and written contributions by a number of contemporary artists amd emerging curators. The contributions correspond to nine questions formulated by the editors which define the sections of the book. Is curating caring? Does 'community' objectify? Does new media mean new democracy? What fiction? Where does performance start and end? A single code of ethics for a global art system? Do community art projects provoke change? Is there a new mysticism in the art assemblage? Is curating still caring?."(cubierta posterior)

Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Monografía prestable	Biblioteca FJM Sala general	Estudios Curatoriales	N 470 .F56 2008 (Browse shelf(Opens below))	Available		1205808

"A Fine Red Line is a curatorial miscellany, a collection of visual and written contributions by a number of contemporary artists amd emerging curators. The contributions correspond to nine questions formulated by the editors which define the sections of the book. Is curating caring? Does 'community' objectify? Does new media mean new democracy? What fiction? Where does performance start and end? A single code of ethics for a global art system? Do community art projects provoke change? Is there a new mysticism in the art assemblage? Is curating still caring?."(cubierta posterior)

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