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The Global art world [ Texto impreso] : audiences, markets, and museums / Hans Belting, Andrea Buddensieg (eds.) ; texts by Emanoel Araújo ... [et al.] ; [translations: Justin Morris ... [et al].

Contributor(s): Material type: TextTextPublication details: Ostfildern : Hatje Cantz, 2009.Description: 407 p : 114 il. (41 en col.) ; 25 cmISBN:
  • 9783775724074
Subject(s):
Contents:
Editorial / Andrea Buddensieg (p. 10) -- Introduction. Contemporary art as global art: a critical estímate / Hans Belting (p. 38) ; Global art: rewritings, transformations, and translations. Thoughts on the Project GAM / Peter Weibel (p. 74) -- The new geography of art. Marketing difference: the balkans in display / Louisa Avgita (p. 88) ; Geopolitics of global art: the reinvention of latin america as a geoaesthetic region / Joaquín Barriendos (p. 98) ; Contemporary art of africa: coevalness in the global world / Thomas Fillitz (p. 116) ; Contradictions in time-space: spanish art and global discourse / Miguel A. Hernández-Navarro (p. 136) ; A place to go: the sharjah biennal / Jack Persekian (p. 154) ; How global art transforms ethnic art / Laymert Garcia dos santos (p. 164) -- Mapping art museums today. The museu afrobrasil in Sao Paulo: A new museum concept / Emanoel Araújo (p. 180) ; Contemporary african art in the british museum / Claude Ardouin (p. 190) ; Corporate museums in Istanbul / Savas Arslan (p. 236) ; The tate effect / T. J. Demos (p. 256) ; Government, business and people: museum development in asia / Oscar Ho Hing-Kay (p. 266) ; Museum sceneries in latin America / Ángel Kalenberg (p. 278) ; A university museum in Manila: the Ateneo Art Gallery / Ramon Lerma (p. 292) ; Memory in chile and paraguay : two art museums in latin america / Justo Pastor Mellado (p. 302) ; Museums as contact zones: struggles between curators and local artists in Japan / Masaaki Morishita (p. 316) ; Curating contradiction: "Graft" in the 2nd Johannesburg Biennale / Colin Richards (p. 328) ; A new setting for the contemporary: a university museum in Mexico City / Rafael Sámano Roo (p. 348) ; Addendum: The MuAC and its initial encounter with ist publics / Karen Cordero Reiman (p. 358) ; Contemporary art in ethnographic museums / Mirjam Shatanawi (p. 368) ; Museum politics and nationalism in singapore / Eugene Tan (p. 386).
Note: La mayor parte de estas contribuciones fueron presentadas originalmente en dos congresos: "The Global future of local art museums", celebrado en el IFK Vienna, durante los días 19-21 de enero de 2006, y "Where is art contemporary?" celebrado en el ZKM Karlsruhe, durante los días 24-25 de junio de 2006. Bibliography: Incluye referencias bibliográficas (pp. 402-407)Summary: "This is the second publication from the ongoing research series, Global Art and the Museum (GAM), which was initiated in 2001 by German art historian Hans Belting and artist, writer and curator Peter Weibel at the ZKM Center for Art and Media in Karlsruhe, Germany. The last 20 years have seen a rapid globalization of the art world, resulting in geographic decentralization and a shift away from a primarily Western perspective. GAM's aim is to analyze the effect of these changes on the art market, museums and art criticism. This volume comprises a collection of essays by experts--such as Claude Ardouin, Keeper of the African Section of London's British Museum, Koeki Claessens, Director of Central Africa's Royal Museum and Eugene Tan, Director of the Institute of Contemporary Arts Singapore--who presented at the 2007 conference" (texto obtenido de la editorial)
Holdings
Item type Current library Collection Call number Status Date due Barcode
Monografía prestable Biblioteca FJM Sala general Estudios Curatoriales N 72 .G55 G56 2009 (Browse shelf(Opens below)) Available 1195354

La mayor parte de estas contribuciones fueron presentadas originalmente en dos congresos: "The Global future of local art museums", celebrado en el IFK Vienna, durante los días 19-21 de enero de 2006, y "Where is art contemporary?" celebrado en el ZKM Karlsruhe, durante los días 24-25 de junio de 2006.

Editorial / Andrea Buddensieg (p. 10) -- Introduction. Contemporary art as global art: a critical estímate / Hans Belting (p. 38) ; Global art: rewritings, transformations, and translations. Thoughts on the Project GAM / Peter Weibel (p. 74) -- The new geography of art. Marketing difference: the balkans in display / Louisa Avgita (p. 88) ; Geopolitics of global art: the reinvention of latin america as a geoaesthetic region / Joaquín Barriendos (p. 98) ; Contemporary art of africa: coevalness in the global world / Thomas Fillitz (p. 116) ; Contradictions in time-space: spanish art and global discourse / Miguel A. Hernández-Navarro (p. 136) ; A place to go: the sharjah biennal / Jack Persekian (p. 154) ; How global art transforms ethnic art / Laymert Garcia dos santos (p. 164) -- Mapping art museums today. The museu afrobrasil in Sao Paulo: A new museum concept / Emanoel Araújo (p. 180) ; Contemporary african art in the british museum / Claude Ardouin (p. 190) ; Corporate museums in Istanbul / Savas Arslan (p. 236) ; The tate effect / T. J. Demos (p. 256) ; Government, business and people: museum development in asia / Oscar Ho Hing-Kay (p. 266) ; Museum sceneries in latin America / Ángel Kalenberg (p. 278) ; A university museum in Manila: the Ateneo Art Gallery / Ramon Lerma (p. 292) ; Memory in chile and paraguay : two art museums in latin america / Justo Pastor Mellado (p. 302) ; Museums as contact zones: struggles between curators and local artists in Japan / Masaaki Morishita (p. 316) ; Curating contradiction: "Graft" in the 2nd Johannesburg Biennale / Colin Richards (p. 328) ; A new setting for the contemporary: a university museum in Mexico City / Rafael Sámano Roo (p. 348) ; Addendum: The MuAC and its initial encounter with ist publics / Karen Cordero Reiman (p. 358) ; Contemporary art in ethnographic museums / Mirjam Shatanawi (p. 368) ; Museum politics and nationalism in singapore / Eugene Tan (p. 386).

"This is the second publication from the ongoing research series, Global Art and the Museum (GAM), which was initiated in 2001 by German art historian Hans Belting and artist, writer and curator Peter Weibel at the ZKM Center for Art and Media in Karlsruhe, Germany. The last 20 years have seen a rapid globalization of the art world, resulting in geographic decentralization and a shift away from a primarily Western perspective. GAM's aim is to analyze the effect of these changes on the art market, museums and art criticism. This volume comprises a collection of essays by experts--such as Claude Ardouin, Keeper of the African Section of London's British Museum, Koeki Claessens, Director of Central Africa's Royal Museum and Eugene Tan, Director of the Institute of Contemporary Arts Singapore--who presented at the 2007 conference" (texto obtenido de la editorial)

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