Museums after modernism [ Texto impreso] : strategies of engagement / edited by Griselda Pollock and Joyce Zemans.
Material type: TextSeries: New interventions in art historyPublication details: Malden, MA : Blackwell, 2007.Description: xxiv, 248 p : il ; 23 cmISBN:- 9781405136280
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 430 .M795 2007 (Browse shelf(Opens below)) | Available | 1194836 |
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N 430 .D8418 2007 Rituales de civilización [ | N 430 .E87 2007 Espacios estimulantes [ : museos y educación artística / | N 430 .I517 2012 Im Sog der Kunst : Museen neu denken / | N 430 .M795 2007 Museums after modernism [ : strategies of engagement / | N 430 .N49 2003 New institutionalism [ | N 430 .P47 2011 Perspectivas [ : situación actual de la educación en los museos de artes visuales / | N 430 .R47 2011 (Re)staging the art museum [ |
1 Un-Framing the Modern: Critical Space/Public Possibility / Giselda Pollock ( p. 1) ; 2 Women's Rembrandt / Mieke Bal (p. 40) ; 3 Museums and the Native Voice / Gerald McMaster (p. 70) ; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact / Ruth B. Phillips (p. 80) ; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions / Reesa Greenberg (p. 104) ; 6 A Place for Uncertainty: towards a New Kind of Museum / Vera Frenkel (p. 119) ; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation / Mary Kelly (p. 131) ; 8 Riksutstallningar: Swedish Traveling Exhibitions / Ulla Arnell (p. 141) ; 9 Reframing Participation in the Museum: A Syncopated Discussion / Janna Graham and Shadya Yasin (p. 157) ; 10 "There is No Such Thing as a Visitor" / Judith Mastai (p. 173) ; 11 "Anxious Dust": History and Repression in the Archives of Mary Kelly / Judith Mastai (p. 178) ; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics / Juli Carson (p. 190)
"The book uniquely brings together artistis, curators, art historians, and users to explore the strategies for non-canonical and creative fostering of the museum as a public space for dialogue and transformation in the postcolonial era. Combining theoretical reflections on the histories of the museum with recent case studies, Museums After Modernism goes beyond current museology and reconsiders the strategies of engagement with what the museum could be "after modernism" (cubierta posterior)