Paris 1937 [ Texto impreso] : worlds on exhibition / James D. Herbert.
Material type: TextPublication details: Ithaca, NY : Cornell University Press, 1998.Description: xiv, 207 p : il ; 27 cmISBN:- 0801434947
- Paris nineteen thirty-seven
- Exposición Internacional de París : (1937)
- Arte -- S. XX -- Exposiciones -- Historia
- Arte -- Exposiciones -- Historia -- S. XX
- Museos y colecciones etnológicas -- Francia -- Historia
- Exposiciones -- Francia -- Historia -- S. XX
- Surrealismo (Arte) -- Francia -- Exposiciones -- Historia -- S. XX
- Arte y sociedad -- Francia -- Historia -- S. XX
- Estudios y prácticas curatoriales
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 6486 .H473 1998 (Browse shelf(Opens below)) | Available | 1194739 |
Browsing Biblioteca FJM shelves, Shelving location: Sala general, Collection: Estudios Curatoriales Close shelf browser (Hides shelf browser)
N 6486 .C65 2005 Collecting the new [ : museums and contemporary art / | N 6486 .G83 2009 El arte del siglo XX en sus exposiciones. 1945-2007 [ | N 6486 .G83 2009 El arte del siglo XX en sus exposiciones. 1945-2007 [ | N 6486 .H473 1998 Paris 1937 [ : worlds on exhibition / | N 6486 .H64 2014 Show Time [ : the 50 most influential exhibitions of contemporary art / | N 6486 .M26 2000 Los manifiestos del arte posmoderno [ : textos de exposiciones, 1980-1995 / | N 6486 .S47 1997 Experience or interpretation [ : the dilemma of museums of modern art / |
Contiene numerosas fotografías de las exposiciones comentadas.
Introduction. Global specultions -- Part one: The Trocadéro: Chapter one. The View of the Esplanade ; Chapter two. Gods in the Machine -- Entr'acte: point of exchange. Art Appreciation -- Part two: In the gallerries of art: Chapter three. The French Masterpiece ; Chapter four. Short Circuit -- Epilogue. Jupiter Makes Wise Those He Would Lose
"This ... book, illustrated with fortyfive photographs, explores the cultural significance of six exhibitions or new museum installations, all opening in Paris between mid-1937 and early 1938: the commercially oriented world's fair titled L'Exposition Internationale des Arts et Techniques; the ethnographic Musée de l'Homme; two massive art retrospectives, one sponsored by the state of France and the other by the municipality of Paris; and L'Exposition Internationale du Surréalisme" (solapa anterior)