Harald Szeemann [ Texto impreso] : with by through because towards despite : catalogue of all exhibitions 1957-2005 / Tobia Bezzola, Roman Kurzmeyer (editors).
Material type: TextLanguage: eng , Multiple languages Publication details: Zürich : Editon Voldemeer ; Wien ; New York : Springer, cop. 2007.Description: 759 p : 965 il. (algunas en col.) ; 29 x 23 cm + 1 supl. (15 p.)ISBN:- 9783211836323
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Monografía prestable | Biblioteca FJM Sala general | Estudios Curatoriales | N 7483 .S97 A2 2007 (Browse shelf(Opens below)) | Checked out | 07/10/2024 | 1194288 |
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N 7483 .G73 M37 2006 Art czar [ : the rise and fall of Clement Greenberg / | N 7483 .H84 A3 2006 Things I didn't know [ : a memoir / | N 7483 .S383 K37 2012 Peter Selz [ : sketches of a life in art / | N 7483 .S97 A2 2007 Harald Szeemann [ : with by through because towards despite : catalogue of all exhibitions 1957-2005 / | N 7483 .S97 A25 2016 Obsession Dada [ | N 7483 .S97 A25 2018 Harald Szeemann selected writings [ | N 7483 .S97 A5 1981 Museum der Obsessionen [ |
Suplemento: "From the publisher to our Chinese readers" (en Chino)
Foreword / Tobia Bezzola y Roman Kurzmeyer -- Acknowledgements -- with by through because towards despite / Harald Szeemann -- Catalogue of all exhibitions 1957-2005: Approaches to the "Museum der Obsessionen" -- Selected bibliography - Index of "temporary worlds" ; Index of names -- Biographical notes
"This catalogue of all Harald Szeemann's exhibitions is a compendium of materials and sources relating to the work of the most celebrated independent organiser of exhibitions in the latter part of the 20th century. Harald Szeemann's death on 18 February 2005 marked the end of an era. Through the many exhibitions he staged all over the world from 1957 onward, at first in Switzerland and later as an internationally sought-after freelance curator, he not only changed the way people believe modern and cotemporary art should be displayed, but also opened up a debate on the museum as institution." (p. 7)